I arrive mid-rehearsal of Fat Pig into an intense argument that feels more like a courtroom drama than the scene of a comedy. Yet, the immediate connection I witnessed between characters solidifies what this play is about – human relations and interactions.
Neil LaBute’s Fat Pig has been widely performed since its inception in 2006 from Melbourne to Mexico City. This is indicative of the play’s universal appeal dealing with the endless obsession with weight in society.
Talking to the director/producer/lead actress (and probably more roles than can be listed here) Phosile Mashinkila, she tells me that this universal appeal is why she wanted to put this play on in Oxford. We are bombarded with a constant stream of body shaming every day in the media yet it still remains a difficult topic to talk about.
Fat Pig concerns Tom (Jason Imlach) who falls in love with plus-sized Helen (the aforementioned Phosile Mashinkila) and how his friends and colleagues react to this. Yet, this play with its brash direct dialogue is not pushing morals but instead about confronting this issue head on. The audience may feel uncomfortable, they may not want to hear the horrible things that are being discussed but surely a shout out loud is better than a whisper behind backs.
The Burton Taylor Studio, then, is perhaps a perfect venue for this play. With its not-quite darkness, and closely compacted seats, the will be no space for an audience to hide. This is not to say that the play isn’t an enjoyable watch as LaBute’s writing offers comedy as well as depth that Mashinkila’s clever directorial touches aid – whether it be the sly offering of chocolate or the dramatic dropping of a book.
The scene I was shown was the second scene in the play – a tense office scene where Tom is confronted by both his co-workers – Jeanie (Martha Reed) and Carter (Brian Chandrabose) – asking whether he is seeing someone. Even in this brief extract it is clear to see that the actors have thought a great deal about their dynamics and relationship. As an audience member, you already begin to question your sympathy when the bullied Tom in one interaction becomes spineless in another.
This play is what the best drama is – real people and real situations. Down to its uncomfortable dialogue, bitter sweet ending and comedic moments, this is a play you won’t want to miss.