Jonathan Looms enjoys American box-office hit The Help but finds it to be more entertaining than challenging.
Contagion is a film that does no less than show us a vision of the end of the world. James Aber says...
Ian Clemente on why he somehow can't recommend Lynne Ramsay's long awaited film, even though it's apparently a classic.
Alexander Hawkins-Hooker takes a look at Mark Cousins' More4 documentary series charting the history of cinema. It's ambitious, but brilliant.
If you think that motion capture technology is the way forward Alexander Lynchehaun is here to tell you why you are wrong.
Ross Jones-Morris talks to the eminently reasonable Ken Loach about films, politics, the French and his time at Oxford.
Jonathan Looms reviews Real Steel and thinks that your time and money could be spent much more productively watching pretty much anything...
Vicky Fryer thinks that The Three Musketeers is rubbish. So why does she like it so much?
Ross Jones-Morris thinks that the word 'sexism' is thrown around a little too much these days...
Emily Searles reviews another unremarkable yet ultimately quite charming film from Woody Allen.
Sam Poppleton reviews the cinematic equivalent of Pot Noodle...whatever that means.
Frightened by clichéd horror tropes and all round generic ominousness? Yes? Well it turns out our reviewer Rebecca Loxton is made of...
With the summer of his life behind him and a veritable smorgasbord of meaty roles to sink his teeth into in 2012,...
Charlotte Turner finds Taylor Lautner star vehicle Abduction to be as poor as the premise would undoubtedly indicate.
John Madden's latest film The Debt has its moments but doesn't live up to it's promising premise.
In Harrison Ford's own words Shia LaBeouf is a "f***ing idiot". Jonathan Looms agrees.
Sam Poppleton takes a look at new regulations on Oscar campaigning.
Ross Jones-Morris seems to think so.
Rosie Wilson reviews Friends with Benefits, a film that bears a striking resemblance to something else you may have seen this year.